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The Nahua Cross of Life: Mexican Hieroglyph of the Nagual or Personal Guardian Spirit Many Christian symbols and archetypes have been found around the world in pre-Christian contexts, resulting in fascinating syncretic connections and ideological overlaps. According to Prof. Daniel G. Brinton, A.M., M.D., LL.D., D.Sc. in his book Nagualism: A Study in Native American Folk-lore and History (1894), "The sign of the cross, either the form with equal arms known as the cross of St. Andrew, which is the oldest Christian form, or the Latin cross, with its arms of unequal length, came to be the ideogram for “life” in the Mexican hieroglyphic writing; and as such, with more or less variants, was employed to signify the tonalli or nagual, the sign of nativity, the natal day, the personal spirit. The ancient document called the Mappe Quinatzin offers examples, and its meaning is explained by various early writers. The peculiar character of the Mexican ritual calendar, by which nativities wer...

Cernunnos as Kundalini Yoga Master: The Celtic Shiva In 1891, a great silver bowl or cauldron, elaborately crafted during the Iron Age, was found at Gundestrup in Denmark. The Gundestrup Cauldron contains a wealth of ancient spiritual motifs, a few of which will be briefly discussed in this article.  The exterior of the cauldron depicts the busts of seven different deities, male and female, as well as symbols associated with them. In Hinduism as well as various syncretic mystical paths, the number seven is also associated with the 7 major chakras or energy vortices of the human body, each with their own symbolism and deity (or facet of the One God).  The interior of the Gundestrup Cauldron features five scenes of religious or spiritual significance. One of these scenes depicts a horned god sitting in a typical yogic posture. Often identified as Cernunnos (the "Horned One"), he wears on his head a splendid crown of seven-tined stag antlers. One is reminded that in the shamanic...

The Medieval Grimoire "The Picatrix" on the Colors and Pigments of the Zodiacal Sign of Aries The Picatrix (or in Arabic Ghāyat al-Ḥakīm) is an early medieval book of magick, astrology, and alchemy (an early form of chemistry). In the study of esotericism and the magickal arts, this book has been used for centuries as a grimoire, as well as an important historical source text. One section of the book is dedicated to describing the colors associated with the Zodiac signs, and how to make inks, pigments, and paints corresponding to those colors. The instructions for the sign of Aries are as follows (some of these substances are toxic, so do not try this at home!): "§13 The color of the first face of Aries is red and is made thus: take one part each of oak gall, gum arabic, and orpiment. Grind them up separately, then mix them together. When you desire to write or paint anything with it, combine it with egg whites." [The word "Orpiment" is an elision of the L...

The Metaphysical Origins of Amber: Healing Stone of Divine Tears Helios was the ancient Greek god of the Sun, who drove the solar chariot across the sky. When his son, Phaëthon, attempted to drive the chariot without his father's permission, he lost control of the horses and drove the sun towards the Earth. Zeus had to strike down the chariot with a lightning bolt in order to save the Earth from burning up. The Milky Way was thus formed by the scorched path of the Sun across the sky. Phaëthon fell to his death, and his sisters, the seven Heliades, grieved and mourned for four months. The gods turned the sisters into poplar trees, and their tears into amber, which often washes up on the Baltic shores. According to Apollonius of Rhodes, in his Argonautica, the Celts said that the amber drops are the tears of Apollo himself, after his banishment by Zeus to the land of the Hyperboreans. Among the Norse and Vikings, amber was believed to be the tears of Freyja, the goddess of love and b...

A Theosophical and Esoteric Interpretation of the Zoroastrian Karshipta Bird The ancient Zoroastrian scripture named Vendidad or Vidēvdād (“The Law Repudiating the Demons”) mentions a holy bird sent to humanity by God (Ahura Mazda), for the purpose of bringing to them the true religion of Mazda. This holy bird was named Karshipta (sometimes spelled Karshipt, Karshift, or Karšift, from the Avestan Karšiptar). "O Maker of the material world, thou Holy One!  Who is he who brought the Religion of Mazda into the Vara (Enclosure) which Yima made? Ahura Mazda answered: ‘It was the bird Karshipta, O holy Zarathushtra!’" - Vendidad 2:42 According to the Bundahishn, chapters 19 and 24, "The bird Karshipta dwells in the heavens: were he living on the earth, he would be the king of birds... He brought the Religion into the Vara of Yima, and recites the Avesta in the language of the birds." Theosophist H.P. Blavatsky, in Volume 2 of her Secret Doctrine, offers an esoteric interp...