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The Nahua Cross of Life: Mexican Hieroglyph of the Nagual or Personal Guardian Spirit

The Nahua Cross of Life: Mexican Hieroglyph of the Nagual or Personal Guardian Spirit Many Christian symbols and archetypes have been found around the world in pre-Christian contexts, resulting in fascinating syncretic connections and ideological overlaps. According to Prof. Daniel G. Brinton, A.M., M.D., LL.D., D.Sc. in his book Nagualism: A Study in Native American Folk-lore and History (1894), "The sign of the cross, either the form with equal arms known as the cross of St. Andrew, which is the oldest Christian form, or the Latin cross, with its arms of unequal length, came to be the ideogram for “life” in the Mexican hieroglyphic writing; and as such, with more or less variants, was employed to signify the tonalli or nagual, the sign of nativity, the natal day, the personal spirit. The ancient document called the Mappe Quinatzin offers examples, and its meaning is explained by various early writers. The peculiar character of the Mexican ritual calendar, by which nativities wer...

Cernunnos as Kundalini Yoga Master: The Celtic Shiva

Cernunnos as Kundalini Yoga Master: The Celtic Shiva In 1891, a great silver bowl or cauldron, elaborately crafted during the Iron Age, was found at Gundestrup in Denmark. The Gundestrup Cauldron contains a wealth of ancient spiritual motifs, a few of which will be briefly discussed in this article.  The exterior of the cauldron depicts the busts of seven different deities, male and female, as well as symbols associated with them. In Hinduism as well as various syncretic mystical paths, the number seven is also associated with the 7 major chakras or energy vortices of the human body, each with their own symbolism and deity (or facet of the One God).  The interior of the Gundestrup Cauldron features five scenes of religious or spiritual significance. One of these scenes depicts a horned god sitting in a typical yogic posture. Often identified as Cernunnos (the "Horned One"), he wears on his head a splendid crown of seven-tined stag antlers. One is reminded that in the shamanic...

Colors to be Observed in the Great Work of Alchemy (1680)

Colours to be Observed in the Great Work of Alchemy This is contained in Aurifontina Chymica: or, a collection of fourteen small treatises concerning the first matter of philosophers, for the discovery of their (hitherto so much concealed) Mercury. Which many have studiously endeavoured to hide, but these to make manifest, for the benefit of Mankind in general. London, 1680. Colours to be observed in the Operation of the Great Work. YOU must expect to have it exceeding Black, within 40 days after you have put your Composition into the Glass over the Fire; if it be not black, proceed no further, for it is unrecoverable: it must be as black as the Ravens Head, and must continue a long time, and not utterly to lose it during five months.  If it be Orange colour, or half Red, within some small time after you have begun your Work, without doubt your Fire is too hot; for these are tokens that you have burnt the Radical humour and vivacity of the Stone.  Know ye not, that you may hav...